It is easy to dismiss Stainer’s Crucifixion as the epitome of English musical disfunctionality in the nineteenth century. Yet, over years after its premiere at . 1 Music files. Complete work; Individual movements. 3. Processional to Calvary (Fling wide the gates); Hymn: Cross of Jesus. Founded in , the Huddersfield Choral Society has long been a major part of the town’s vibrant musical tradition. Under a succession of distinguished.
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For all his experience as a high-level professional singer, Kay has worked a great deal with committed amateurs, in this case the Leith Hill Festival Singers, the festival of which he is director. While Great Britain was making the running in most of the arts and crafts, music seemed sttainer to be on the agenda—at least so far as home-grown talent was concerned.
In its favour, it unfolds with a seamless ease, never jolting the listener with gratuitous theatricality or the type of rhetorical intensity which the English find mildly embarrassing.
Composition aside, he was a tireless worker for those around him, raising the standard of the choir to new heights, augmenting its numbers tye making sure that salaries were raised to appropriate levels. The Crucifixion – John Stainer – And then there were others, such as John Ruskin and William Morris whose brilliance shone over numerous arts and disciplines. So thou liftest thy yhe petition Bass, Tenor The mystery of intercession Recitative: Work Title The Crucifixion Alt ernative.
As a founder member of the Musical Association, President of the Royal College of Organists and many stainef professional bodies, and co-founder of august societies and institutions such as the Oxford Philharmonic Society and the Associated Board of the Royal Schools of Music, he worked tirelessly for the improvement of music appreciation and education, and enhanced standards throughout the country as a whole.
The first performance of The Crucifixion was well received, but it soon attracted fierce criticism, both for its libretto and its music.
How should we view The Crucifixion today? He made himself of no reputation Bass The majesty of the divine humiliation Tenor Recitative: Introduction English In the monumental Victorian era, with Britain ruling the waves and at the zenith of its economic, military, industrial and imperial power, artists, architects, poets and polymaths seemed to be ten-a-penny.
Although enjoying a close working relationship with any leading professional orchestras and conductors, the Society is a independent and self-governing amateur choir, drawing talented singers from a wide area across Yokshire and the north of England.
The Crucifixion can still bat with the best of them every season, its many performances and broadcasts every year at Passiontide gladly attended and participated in with great British gusto. Alma-Tadema, Burne-Jones, Millais and co. Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults. Stainer The Crucifixion The Crucifixion. Particularly significant in the overall scheme of The Crucifixion are the five hymns, which are designed for congregational participation.
Don’t show me this message again. While the first performance was a success, the libretto, by the Reverend William Sparrow-Simpson would soon attract ferocious criticism and the music has also been vilified down the years.
The Crucifixion (John Stainer)
Hyperion offers both CDs, and downloads in a number of formats. Whether you want to see what we think of today’s latest releases or discover what our critics thought of your favourite recordings from the past, you will find it all in our full-searchable Reviews Database. November Total duration: The structure of The Crucifixion is inspired cricifixion J. If you wish to use these notes for commercial purposes, e. This file is part of the Sibley Mirroring Project. And one of the malefactors The adoration of the crucified Recitative: Two years syainer he met Sir Frederick Ouseley, then Professor of Music at Oxford who, as a prodigious youth, had impressed kohn less a figure than Mendelssohn.
Jesus said, “Father, forgive them” Tenor Duet: Instead they were regarded as merely sacred and dramatic, which seemed even to please everyone, even many a hard-line Nonconformist. Later in life, he was ever keen to acknowledge this period as of the utmost significance in his musical development. He was renowned for his considerable scholarship as crucivixion researcher into and editor of early music.
cruvifixion This is hardly to say that the British Isles were not awash with great music—they certainly were, but little of it was indigenous. Thf template was set before Victoria became monarch and Handelian oratorio, rather than opera, was setting the musical pulse of hte nation.
The site is also available in several languages. He quickly became one of the leading solo boys and is known to have sung at some extremely prestigious events, such as the funerals of artist J. And when they were come Bass The mystery of the divine humiliation Recitative: The all-time greats Read about the artists who changed the world of classical music.
Yet, over years after its premiere at Marylebone Parish Church inthis work still has a following.
The Crucifixion (Stainer, John)
Gramophone products and those of specially selected partners from the world of music. Unlike the passions, however, there is no orchestra to provide light and shade to accompaniments and add piquancy or punch to the drama. The Crucifixion may be his only tangible musical legacy, but he is perhaps even better remembered by musicologists for his contributions to the discipline. Too often in this piece I hope for a bar or two of Mendelssohn, something momentarily inspired.
The congregation is invited to stand for these hymns and so directly take part in a communal celebration at this crucial point in the liturgical year. Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.
His edition of Early Bodleian Music is recognised as the earliest attempt by an English scholar to investigate music before the great Renaissance figures of Palestrina, Lassus, Victoria and Tallis.
He was an Oxford Professor, a general inspector of music education and held presidencies of several professional bodies.
The Crucifixion (Stainer) – Wikipedia
Much of the credit also goes to Margaret Phillips whose imaginative and genial registrations, not to mention her skilful accompaniment, provide notable support to the excellent contributions of Martyn Hill and Michael George. He also introduced weekly choral celebrations of communion and processions while providing adequate rehearsal time to cope with an uohn and enhanced repertory.
An unselfregarding and genuine performance such as this probably makes as strong a case as can thr made.