JOHN MCLAUGHLIN KONOKOL PDF

Like many Western musicians, the Indian rhythmic system known as Konokol has always been a bit of a mystery to me. I’ve heard the seemingly complex. John McLaughlin Konnakol. Richie Jackson; 7 Konokol-The Gateway to Rhythm Chapter 1 The Gateway To Rhythm – John Mclaughlin – School of Rhythm. Konnakol (also spelled Konokol, Konakkol) (Tamil: கொன்னக்கோல்) is the art of Prominent among these is John McLaughlin, who led the Mahavishnu Orchestra and has long used konnakol as a compositional aid.

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Divided into 6 chapters, the student moves from basic understanding of rhythm into the wonderful world of improvisation. Looking forward to watch it!

The Gateway of Rhythm | John McLaughlin

Konokol is the universal system of mastering rhythm without drums. Education should be free. Following this, John McLaughlin explains and demonstrates on the guitar the benefit Konokol has konoko, on his improvisations, and its usefulness in his compositions over the past 30 years.

Thanks a lot for making it possible! Konnakol also spelled Konokol, Konakkol Tamil: Ganesh Vinayakram, The Gateway to Rhythm. Choosing one sound over another mclauvhlin determined by where you want the mcoaughlin to fall in the bar, since the proper Konokol form is to accent the first syllable of each sound when you say it except in the case of Taka Juna where you accent both the Taka and the Juna. English, French, German, Spanish Year: Your email address will not be published.

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John McLaughlin – The Gateway to Rhythm download

John McLaughlin — drummers and percussionists. Konokol requires absolutely no playing ability as it is all about counting, division and mathematics- the building blocks of rhythm.

Guitar legend John McLaughlin, who has advocated this system of learning rhythm for over 30 years, brings it mclaugylin together with Konokol master Selvaganesh Vinayakram, one of the foremost percussionists from India. Konokol is basically a vocal drum language.

The Gateway To Rhythm (Konokol)

That John McLaughlin went ahead and made this DVD reveals how strongly he feels about it, and how important he thinks konokol is to save the world! In a world overflowing with guitar constructionals and hot licks videos, here comes an educational DVD from The Master — the way it is supposed to be.

Usage [ edit ] Musicians from a variety of traditions have found konnakol useful in their practice. From Wikipedia, the free encyclopedia.

This makes The Gateway To Rhythm one of the most unique instructional videos you will find. Konokol is the universal system of mastering rhythm without drums. Articles containing Tamil-language text All articles with unsourced statements Articles with unsourced statements from July One thing that is stressed in the early lessons on this DVD is the importance of keeping the time by clapping your hands or using a metronome.

konikol

John McLaughlin – The Gateway to Rhythm

Konnakol should not be confused with the practice in Hindustani music the classical music of northern India of speaking tabla ” bols “, which indicate the finger placement to be used by a percussionist. By contrast, konnakol syllables are aimed at optimising vocal performance, and vastly outnumber any commonly used finger placements on mridangam or any other hand percussion instrument.

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Guitar legend John McLaughlin, who has advocated this system of learning rhythm for over 30 years, brings it all together with Konokol master Selvaganesh Vinayakram, one of the foremost percussionists from India. The human voice has a direct and dramatic way of expressing the percussive aspects in music directly. Each chapter concludes with a Vinayakram improvisation, followed by a demonstration by McLaughlin, both based on the material covered in that chapter.

So, pay for a good music method will Keep mcclaughlin teachers alive, making great books and music. This is not only for students who play indian instruments, or wish to learn indian music on their western instruments. Konnakol is the spoken component of solkattuwhich refers to a combination of konnakol syllables spoken while simultaneously counting the tala meter with the hand.

In essence, you are vocally mimicking specific drum strokes. Finally, please remember this is not only for drummers and percussionists. One of the highlights of the DVD is the improvisation McLaughlin and Vinayakram perform together at the conclusion of the final chapter.

In mridangam jon, kanjiraor ghatamthe percussion is limited to physical characteristics of their structure and construction: