Editions for IBM and the Holocaust: (), (Paperback published in ), (Hardcover IBM e o Holocausto (Paperback). IBM e o Holocausto · Metodologia Científica – Unidade 1 · LBE Starbucks Lesson · · Kali Linux Portugueswebpenetrationtesting. Livro: IBM E O HOLOCAUSTO. O livro mostra a aliança Ad text: Putting an exact time and place on pre-Columbian art has challenged. Ad text: Putting an exact.

Author: Dumi Tuzahn
Country: Iceland
Language: English (Spanish)
Genre: Environment
Published (Last): 17 January 2018
Pages: 166
PDF File Size: 3.58 Mb
ePub File Size: 14.83 Mb
ISBN: 627-8-90800-337-3
Downloads: 84362
Price: Free* [*Free Regsitration Required]
Uploader: Nikoshicage

The Certainty, the Impossible, and what Lies Between: MusicCommunicationand Information Theory. This study proposes an understanding of new music from a perspective supported by the psychology of expectation and IT as an alternative to traditional analytical-theoretical or socio-political approaches.

Shirley Ann Jackson

This work investigates compositional processes of four pieces composed between and holocaustk my Master’s Degree in Composition at the Hoocausto Federal do Rio Grande do Sul. The first significant development on information theory was done in by its founder, Claude Shannon, and it is now a consolidated discipline. Masters dissertation in Music Composition in Portuguese.

The former concentrate on the unpredictable and are framed by Complexity Theory, while the latter concentrate on the unexpected and can be better understood in light of Information Theory.

Skip to main content. While deterministic models are associated with chaos, stochastic models are holcausto understood in terms of random processes evolving according to probabilities. In particular, it describes the Communication models inspired by the concept of communication noise — composer-intent, composer-notation, composer-performer, and composer-listener — are presented, along with their implications for music creation.

Considerations regarding both aesthetic and structural motivations from the pieces are presented, especially those concerning the Eastern concept called “jo-ha-kyu”, the traditional Japanese Noh drama and the traditional Japanese martial art called “iaijutsu”. In particular, it describes the essential communication properties of entropy, noise, channel capacity, repertoire, and expectancy, briefly addressing how they affect compositional method and aesthetic parameters embedded in the environmental context which will be referred to as the Zettabyte Era.


This paper will focus on the unfolding ethical issues concerning digitisation policies, such as the likely excessive reliance on information and communication technologies, the ethics of the decision-making powers regarding the selection of what musical heritage is worth keeping, the vulnerability of holocqusto depositories, and future ethics-oriented paths.

This work also presents the consequences from those aesthetic and structural motivations in providing formal coherence to the pieces. Considerations regarding both aesthetic hholocausto structural This is the version of the libretto and it includes all the texts spoken and sung and their translations into Portuguese, as well as information about the creation process, credits, and other information.

His interests include music composition, communication theory, information theory, dance studies, film studies, music psychology, cognition, photography, and multimedia arts. This paper explores the use of Information Theory as an impetus for music composition, aiming to holocsusto the main concepts derived from the theory and how they influence — and influenced — musical thinking.

The paper finishes by examining the author’s work Centro, an example of a composition inspired by Information Theory as a framework from which an entire philosophical stance can spring, inspiring and informing compositional choices.

Enter the email address you signed up with and we’ll email you a reset link.

Log In Sign Up. This paper discusses ethical principles in the preservation of our increasingly digital musical cultural heritage, particularly in the context of the impact of information and communication technologies. This paper is a preliminary investigation on the application of information theory as an interactive compositional process for shaping expectancy.

What information theory has to say about holocauxto music is the main focus of this study and it is a subject that must be revised under a new light, as the literature on this particular extrapolation is rare, relying mostly on holocautso view of communication theorists but seldom of composers.


One significant outcome of the theory was the so-called cognitive revolution — set in motion in in the symposium organized f the ‘Special Interest Group in Information Theory’ at holkcausto Massachusetts Institute of Technology — igniting cognitive science and subsequently its cog-nitive musicology branch.

Information theory seeks to quantify information and is connected with the concept of An essay on information theory and music creation more. In this unprecedented reality, information of a purely musical nature has reached the highest availability and quantity ever in human history. The zettabyte is the amount of information estimated to have been generated, transmittedstored, and retrieved by humanity byand is equivalent to one billion terabytes, or 36 billion years’ worth of HD video playback.

The opera had its first performance inconducted and directed by the composer with stage direction by Alexandre Vargas and choreography by Silvia Wolff. Click here to sign up. Since the first contact of composers with the new theory, particularly the ones associated with the German journal Die Reihe, there has been hooocausto interdisciplinary holocahsto in Information Theory.

Christian Benvenuti | Universidade Federal do Rio Grande do Sul –

O Enigma de Wittgenstein: This paper will concentrate on the philosophical and aesthetic implications of this paradigm shift, setting them in the domain of stochastic models as opposed to deterministic models of musical thinking.

Help Center Find new research papers in: This paper presents some possible directions for the application of information theory in music analysis from the point of view of compositional processes, using as case studies a piece by Elliott Carter and a piece by Phillip Glass. Aesthetic jolocausto Structural Motivations in Musical Composition more.