Sofia Gubaidulina. Chaconne for piano. Composition Information ↓; Description ↓; Appears On ↓. Share on. facebook · twitter · tumblr. Sofia Gubaidulina. Publisher: G. Schirmer. Chaconne (). Work Notes. available in the USA, Canada and Mexico only. Publisher. Hans Sikorski/VAAP. Sofia Gubaidulina (b. ) Chaconne (). Gubaidulina composed this piece, one of the earliest in her catalogue, in , when she was.

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And that is joy. When talking about her piece Rejoice!

Johann Sebastian Bach arr. Finally, another important melodic technique can be seen with her use of harmonics. Soon this music too has begun racing, and one last blistering run up the keyboard sets the stage for the unaltered return of the initial ciacona theme.

Sofia Gubaidulina

In the development section, these sets are explored melodically, cyaconne the dotted rhythm figure gains even more importance. Finally a fugato, nervous and thrilling, takes off from the wreckage of one particularly emphatic series of chords, signaling Gubaydulina ‘s complete abandonment of the eight-bar form. The first work in which Gubaidulina experiments with this concept of proportionality is Perceptions for Soprano, Baritone, and Seven String Instrumentsrev.

In the cadenza the performer improvises within a framework given by the composer, inviting a deeper exploration of the secrets of sound.

In the recapitulation, the chord progression of the first thematic complex is brought to the higher registers, preparing the coda based on secondary theme cantabile element, which gradually broadens. Interview gbaidulina Sofia Gubaidulina”, Sixty-four times it comes, on through a middle section in the major variationsall the time supporting counterpoint that implies up to seven simultaneous lines, until finally the voices spiral into the keynote.


Chaconne for piano

Clearly, coffee-house patrons in mid-eighteenth-century Leipzig did not expect just to be entertained. AllMusic Featured Composition Noteworthy.

She wrote it for Marina Mdivani, who took fourth prize at the Tchaikovsky Competition that year, and who gave gubaidullina first performance, though not until March Some of the titles reveal her interest in baroque genres and the influence of J.

Adagio ma non tanto e dolce III.

Chaconne for piano | Details | AllMusic

Finally comes a full reprise of the theme before, as the right hand keeps repeating chords of B minor, the left hand eventually agrees to settle on the keynote at the bottom of the instrument. She chavonne it through narrower means of intervallic and rhythmic relationship within the primary material of her works, by seeking to discover the depth and mysticism of the sound, as well as on a larger scale, through carefully thought architecture of musical form.

Brahms, who also made a transcription, for piano left hand, had this to say: Romantic Evening Sex All Themes.

Retrieved from ” https: Banco Bilbao Vizcaya Argentaria, S. For Gubaidulina, music was an escape from the socio-political atmosphere of Soviet Russia.


Specifically, she is prone to utilizing elements of the Fibonacci sequence or the Golden Ratioin which each succeeding element is equal to the sum of the two preceding elements i. Music from Russia’s Women Composers.

The young king presented the aging composer with a theme, and asked him to improvise a fugue, which Bach duly did. It is true that Gubaydulina ‘s mature style is present here only in occasional glimmers and foretastes, but the Ciacona is nevertheless quite a satisfying work to listen to, the product of both a good student of music at work and a ferocious creative temperament which would eventually find its full expression.

Rhythm is a very important element in the construction of the work, articulating a distinct rhetoric, as well as in the development of the musical material. From Wikipedia, the free encyclopedia. An interview with sofia gubaidulina. By using this site, you agree to the Terms of Use and Privacy Gugaidulina.

Sofia Gubaidulina – Wikipedia

Gubaidulina quickly learned to keep her spiritual interests secret from her parents and other adults since the Soviet Union was against any religious ideas. Gubaidulina notes that the two composers to whom she experiences a constant devotion are J. Views Read Edit View history.