The Sequenza series is regarded as one of the most important cycles of the 20th century. In this series Berio discovers the capabilities of an instrument and its. Sequenza I is a composition written in by Luciano Berio for the flutist Severino Gazzelloni. “Rhythm and Timing in the Two Versions of Sequenza I for Flute Solo: Psychological and Musical Differences in Performance” by Cynthia Folio. November Berio’s Sequenza I has been a part of the modern flutist’s cannon ever since it’s publication in by Zerboni in Milan. The.

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And of course, not too much people have the possibility of take a Berio’s sequenza masterclass every day. It’s interesting in this video the point of view of Pahud, because he played for Berio itself, and as Pahud said, Berio wasn’t happy fluute his interpretation, but this make a completely different point of view from him Pahud and that’s why these is one of the most interesant videos of all bunch.

The symmetrical chromatic scale gives way to more complex collections of notes; these more complex gestures are incorporated into the work in a way that provides the impression whole blocks of notes in counterpoint with other blocks. Login Remember Me Don’t tlute an account?


Get more for your money. Sustained pitches are set against fast passagework, high is set against low, aggressive against introspective: The pitch materials of Sequenza I are initially simple, consisting primarily of descending chromatic scale passages that incorporate octave displacement and rhythmic ambiguity.

Luciano Berio: Sequenza I

Name Review Rating 5 4 3 2 1. Sequenza I was written for the flutist Severino Gazzelloniwho premiered the work at Darmstadt in Quality excellent, and I want to point the great attention that I had from the staff.

Sequenzas; Due Pezzi; Musica Leggera; etc. Lifetime access Stream on any device Watch offline. Rainy Day Relaxation Road Trip.

Please enable JavaScript in your browser to use the site fully. Streams Videos All Posts. Berio’s precedents in this regard include seqhenza solo flute and other solo instrumental works of Bachbut the harmonic flhte of the twentieth century required a new approach to this “virtual polyphony.

Flute Visions of the 20th Century. This is one of the most difficult pieces for flute. Luciano Berio’s Sequenza I for flute is an example of a partially indeterminate musical form.

Sequenza I – Wikipedia

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Berio notated the piece so that an individual staff line has a fixed duration, while the durations of tlute notes are indicated proportionately–that is, a small distance between one note and the next denotes a short duration, whereas a greater distance denotes a longer duration.


Masterclasses Learn hands-on advice on technique, sound and musical interpretation – exemplified through masterclasses of some of the most beerio and beautiful works. One of the really big challenges on flute is to play the Berio Sequenza. Share on facebook twitter tumblr.

Sequenza I, for flute | Details | AllMusic

The actual realization of such guidelines is left to the player in such a way that specific brio in the score will vary with each performer and each performance.

This juxtaposition of regulated versus improvisatory musical materials, however, was not the main impetus behind Sequenza I.

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Like Berio’s successive solo works–and apart from certain rhetorical-historical commentary that may be present in these–Sequenza I embodies a quest for counterpoint and harmony through the means of sequenzs single melodic line. The melodic and harmonic content of Sequenza I grew out of Berio’s serial-influenced language, resulting in a highly controlled employment of pitch.

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