CDGIM – Palestrina: Missa Assumpta est Maria & Missa Sicut lilium. CDGIM Digital booklet (PDF) · Giovanni Pierluigi da Palestrina (/ ). Giovanni Pierluigi da Palestrina (/) The Missa Assumpta est Maria, based on his own motet of that name which in turn is based on a short phrase. Peter Phillips directs The Tallis Scholars in two masses by Palestrina. This album won the Gramophone Early Music Award in

Author: Molrajas Gardagor
Country: Moldova, Republic of
Language: English (Spanish)
Genre: Literature
Published (Last): 23 February 2013
Pages: 352
PDF File Size: 4.17 Mb
ePub File Size: 2.29 Mb
ISBN: 387-8-83480-724-8
Downloads: 18454
Price: Free* [*Free Regsitration Required]
Uploader: Vojora

The site is also available in several languages. No Renaissance composer and few later ones have been as proficient as Palestrina at writing positive, outward-going, major-key mafia, and in this context Assumpta est Maria represents one of the most important works of the period.

Two-part motet, the model for the parody mass of the same name. Hyperion offers both CDs, and downloads in a number of formats. Das erste Kyrie beispielsweise marka mit Imitation in allen Stimmen, doch sehr schnell werden daraus alternierende harmonisch bestimmte Phrasen, die ihre Wirkung durch Umschichtung der Stimmen erzielen.

Jahrhunderts erschienen von ihr 14 verschiedene Editionen und acht der Assumpta est Maria von denen die erste von Carl Proske besorgt wurde. Welcome to Hyperion Records, an independent Matia classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.

Missa Assumpta est Maria (Palestrina, Giovanni Pierluigi da)

Sacred Music in the Renaissance, Vol. Es scheint einem Werk auch zugute zu kommen, wenn sich eine attraktive Geschichte darum rankt—die Missa Papae Marcelli ;alestrina davon sicher profitiert. This page was last edited on 27 Septemberat In the motet the opening point is treated to two complete expositions in leisurely style, and the remaining music is scarcely less elaborately laid out.

The brighter sound this high-scored six-voice SSATTB choir produces is then emphasized in the style of the writing, which is more chordal than usual. The recording, made in the Church of St Peter and St Paul, Salle, Norfolk is well handled and adds powerfully to these flexible, expressive and beautiful readings’ Gramophone.


Hyperion Records

The parody motet Assumpta est Maria shows the way in its opening bars: This late-Renaissance method is then transferred to the Mass, most obviously in the Gloria and Credo but also in the first Kyrie, where greater elaboration was more customary.

Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults. Die Art der syllabischen Partiturierung, wie man sie zum Beispiel am Anfang des Gloria findet, korrespondiert mit einem der grundlegenden Prinzipien aller reformierten Religionen.

Midi files one for each part zipped. Privacy policy About ChoralWiki Disclaimers. February Total duration: Missa Assumpta est Maria composer.

The first Kyrie, for example, begins with imitation between all the parts but very quickly has settled into alternating harmonically controlled phrases which rely for their effect on being rescored. The more relaxed, more abstract style of such early settings as the Missa Sicut lilium has not often been heard in church services assu,pta the first half of the sixteenth century, but it has increasingly attracted a following karia concert-goers who pay to hear the music as music, rather than as an adjunct to worship.

Peter Phillips directs The Tallis Scholars in the historic concert celebrating Palestrina’s th anniversary, filmed in the Roman Basilica of Santa Maria Maggiore where the composer sang as a choirboy and later became maestro di c Similarly in the first Kyrie of the Mass Palestrina states the point twice, while cleverly abbreviating the entries, and all the other movements except the Gloria start with imitation of some kind, even the Credo.

Anche lo stile musicale di entrambi i lavori suffraga questa ipotesi: Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.

  ISO 7816-4 PDF

Assumpta est Maria a 6 (Giovanni Pierluigi da Palestrina) – ChoralWiki

Beethoven and Mozart are possible rivals in this, but with them the process hasn’t been going on for so long. Presumably Lassus took part in performances of the pieces contained in it, though his sacred compositions scarcely reflect the elegiac mood of Sicut lilium and in general maia seems to have learnt little of importance from Palestrina.

The Mass based on it did not appear until the Fifth Book of —which was about half-way through his Mass publications—but there is every reason to think it a quite early palestriba.

English translation Let all rejoice and be glad with righteous heart, for today the Virgin Mary reigns with Christ for evermore.

Gaudete et exsultate omnes recti corde. Transposed down a note. Per contro, la Sicut lilium presenta caratteristiche affatto diverse: Original text and translations may be found at Assumpta est Maria and Quae est ista quae progreditur. Preme sottolineare, poi, che The Tallis Scholars hanno preferito affidarsi ad edizioni appositamente preparate per loro delle messe Sicut liliumNigra sumBenedicta es e Nasce la gioja mia.

It is the inventiveness of these different sub-divisions of the main choir, constantly grouping and regrouping, and the elastic way in which the text is set, which gives this music its irrepressible character. Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.

The site is also available in several languages. Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults. It is a feature of modern music-making that professional concert-choirs do not necessarily choose the same repertoire as that of church choirs, even though they make their selection from the same composers.