I’ve recently got my hands on his “School of Guitar” book, and am a bit intrigued by his approach to rest strokes; namely, Carlevaro labels the. I studied under Maestro Abel Carlevaro in Montevideo, Uruguay from to . many years I have been studying guitar is Abel Carlevaro’s “School of Guitar”. The guitar world saw Agustin Barrios Mangoré and Abel Carlevaro shaping His whole school is based on allowing the mind to process every movement on.
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Books by Abel Carlevaro (Author of School Of Guitar)
Here is a sight in England that has the books http: Board index All times are UTC. It’s out of print and no one has any in stock.
My general impression was that the rest stroke is not “forbidden”, but that it was so over used by the older schools that a re-examination of its relevance was in order. His left-hand technique feels real light, Renaissance music sounds great that way. Carlevaro states that “there may be leaning against a string as a consequence of a particular force. Of course, this is after there is a substantial amount of technique in place in order to guide the student.
Our website is made possible by displaying online advertisements to our visitors. As for myself I’ve been a subscriber to his web site for a little over a year and I’ve been able to make large strides in my confidence and technique using Carlevaro’s method’s.
Forum guitare classique – Forum chitarra classica – Foro guitarra clasica – Free sheet music for classical guitar – Delcamp. Oh, BTW Cincy2, I’m afraid I can’t help you find a copy of aabel English version, but if you are able to read Spanish at all it will be well worth the effort, particularly since the English translation is very poor.
I think it’s a great work to study bit by bit and use as a periodic reference. I think one’s head might explode schook if reading it in one sitting were attempted. Among other reasons, he tought rest stroke would 1 produce more noise and 2 dampen strings which sometimes ought to sound freely.
All the best, Rick. The student needs to understand proper left hand movements for extensions, distensions, longitudinal and transversal guutar. I’m unfamiliar with him other than the “Masterclass” series.
Books by Abel Carlevaro
I now use this approach on my students; I show them and explain the proper RH and LH movements and explain why and help them find their own technique. Belucci hold’s him and his methods as the very best of techniques to fully develope the mastering of the CG. What Carlevaro talks about are different “toques” using various different muscle groups in order to put more force onto the string which you are setting into motion. If you watch Carlevaro on YouTube or Jose Luis Merlin, you will see abell playing a particular note that by force causes them to lean on adjacent strings.
Since over use of anything can be thought of as a vice, it might aebl fair to have referred to the rest stroke as such.
I’ve learned an incredible amount from him. Even called the publisher Boosey and Hawkes but haven’t heard from them either. Some of the “toques” may be with the large finger joint, the wrist, forearm, all by use of “Fijacion. It looks so small but it is so jammed pack with wisdom. I remember a bit of the Carlevaro approach, but had a teacher change early on and my second teacher put me on to other folks.
For that purpose, he developed an intricate series of different ways to articulate and lock the different joints of fingers and thumb.
A wood box, empty A sensitive heart, too full You and I connect. He was a student of Carlevaro for quite some time and convinced me to partake in exploring the technique. Does anyone know where I can purchase a copy of the English version of this method? However, as is the case with most “schools of thought”, there are times that, in an attempt to make a clean break from earlier schools of thought, he overstates his case. Classical Guitar Skip to content.
Appologies if the origianl translator is reading this, but I “call ’em like I see ’em” and there are real idiomatic issues. He claimed that, with practice, one should be able to produce the same tone s without using rest stroke. An easy example is when you use a bar and allow the arm to assist in the bar instead of squeezing with your thumb muscle which is small and tires easily.
What I specially like in Carlevaro’s technique is his attention to the clean execution of music, without noise, his toughtful approach to fingering and to position shifting. He would also argue that free stroke allows for more dexterity and speed. The books are published by Barry Editorial.
This School of Guitar scbool easily the most in-depth method book I’ve seen. I’ve exhausted the Google searches. I’ve been searching the world via the internet for a copy of Carlevaro’s “School of Guitar”.
BernieD – you and I are the rare few here I believe that give Renato a thumbs up. The term “rest-stroke” is used as a general basket for many types of attacks on a given string; scuool is an end in itself.
Please consider supporting us by disabling your ad blocker on our website. Good luck and let me know if I can be any assistance.